
Film & TV
Women in Post-Đổi Mới Vietnamese Cinema: From Archetypal to Multifaceted
In Vietnamese cinema, the female figure has long been employed to deliver macro-level messages rather than just mundane narratives.
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Film & TV
In Vietnamese cinema, the female figure has long been employed to deliver macro-level messages rather than just mundane narratives.

Film & TV
If you lurk around online discussions of Vietnamese cinema, you probably have stumbled upon the term phim mì ăn liền, or “instant noodles films.” This popular Vietnamese expression describes local motion pictures with low-effort production value. But the term is not merely a common moniker. It dates back to the 1990s, when a specific type of commercial flick got audiences flocking to the cinema.

Music & Arts
Drawing on themes of childhood memories, human beliefs and spirituality, filmmaker and painter Huỳnh Công Nhớ moves between the worlds of cinema and painting, inviting viewers on a journey in search for the quiet beauty in life’s simplest moments.

Saigon
Christmas is so globally celebrated that even in Saigon, as the coldest time of the year approaches, you can hear Christmas hymms echoing from homes in the alley, and spot houses adorned with Christmas trees, Santas, snowmen, regardless of their cultural relevance to Vietnamese culture. For me, one of the activities that truly embodies this global spirit of Christmas is watching Home Alone (1990).

Vietnam
They say you don’t buy a lottery ticket because you think you’ll win; you buy one so that you can fantasize about winning.

Film & TV
Another classic of Vietnamese literature is heading to the big screen in the near future.

Film & TV
Horror films have been a part of Vietnamese cinema for a long time, since the heyday of the country’s film industry. But the genre's journey has been challenging. For one, its track record includes many films with low-budget production made in a rush for quick profit. Additionally, certain scary elements in horror films often face issues with age restrictions or require last-minute edits to secure approval for theatrical release. As a result, the horror genre in general has a mixed reputation among Vietnamese audience members.

Rewind
It’s undeniable that Mười: The Legend of a Portrait has left a lasting impression in the minds of a generation of Vietnamese, as the first collaboration between Vietnam and South Korea’s cinema industries. Watching this contemporary classic in 2024, however, made me realize that Mười has not aged well.

Saigon Hẻm Gems
“Thank you for contacting Khôngtrung.bar. Our business hours are 6pm to 1am, Monday to Sunday. Open doors. Cocktails, craft beer, outdoor screening — Thursday and Sunday. Thank you and we hope to bump into you in Không!”

Film & TV
Zheng Yi Zao “started as a prostitute, resisted the authority of the Qing emperor, kicked everyone’s bottom, and then got away with it... also she has been ignored by history,” explains Vietnam-based filmmaker and photographer Morgan Ommer for why Taiwan was interested in funding a two-part film that tells the story of the leader of the world's largest pirate fleet.

Film & TV
Past Lives left me bereft, much like how the reunion of main characters Hae-sung and Nora concluded at the end of the film — that is, without much conclusion at all.